You’re the One That I Want. Wait a Minute . . . Who Are You?

I love the movie Grease for the nostalgia and catchy tunes but it contains possibly the worst message for young girls ever.

Sandy is doing so well with Danny that he ditches his leather jacket for a letterman sweater to impress her. His friends give him a hard time about it but he says, “Come on, guys. You know you mean a lot to me. It’s just that Sandy does, too, and I’m gonna do anything I can to get her, that’s all.”

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But despite both of them being hopelessly devoted to each other, Sandy decides to shed her Sandra Dee sweetness, start smoking and transform herself from the wholesome girl next door to a hussy anyway.

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I suppose the writer pondered whether he should have them break up and then have Sandy alter her basic nature out of her desperation to win him back, but realized that would make her appear pathetic. Why then? I never did get it. The message to girls is, “Wholesome and innocent are stupid. You’ve got to become a slut to really get the boy of your dreams!”

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To top it off, the entire high school dances around to celebrate her transformation. The happy energy is enough to make just about everyone completely miss all the destructive psychological programming.

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But maybe there was a deeper meaning to this in the mind of the writer, such as the loss of innocence America experienced shortly after the 1950’s? The shedding of the restrictive social mores of that era that shocked all their stodgy, old parents so much in the following decade. i.e., free love, the sexual revolution, drugs for “mind expansion”, etc.

Or maybe the writer was saying loss of innocence is inevitable so we might as well embrace it.

Or maybe I’m just overthinking it and this was just a cool song and a cheap gimmick to give Sandy a character arc.

There’s no point denying sexuality, either, as many of the movies from the 1950’s did due both to censorship and to the fact that America and art was simply more innocent then. For instance, in bedroom scenes, both actors had to have at least one foot on the floor. Open sexuality was so frowned upon, in fact, that Jayne Mansfield’s career was ruined when she exposed her breasts in a bathtub scene in her increasing desperation to dethrone Marilyn Monroe as America’s #1 screen siren.

Censorship finally ended and the pendulum swung back the other way. It’s still swinging and will never swing back, just as surely as innocence, once lost, can never be fully restored. We can only taste it in flashes, like the aroma of something sweet carried on the wind from far away, and savor it for a moment before it evaporates again, always too soon.

Sex is part of life, of course, especially for teenagers wrestling with the mystery of love and the questions of self-worth and desirability that accompany it. But I’m always surprised when I see a local library or mall hosting an outdoor screening of Grease. Overthinking has got to be superior to not thinking at all.

 

 

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